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	<title>Comments on: The RIAA Wants You to Stop Buying CDs</title>
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		<title>By: Nick</title>
		<link>http://bub.blicio.us/the-riaa-wants-you-to-stop-buying-cds/comment-page-1/#comment-45528</link>
		<dc:creator>Nick</dc:creator>
		<pubDate>Mon, 31 Dec 2007 22:02:58 +0000</pubDate>
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		<description>Hey Apple, how about hiring some lobbyists?</description>
		<content:encoded><![CDATA[<p>Hey Apple, how about hiring some lobbyists?</p>
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		<title>By: Ima Nonymous</title>
		<link>http://bub.blicio.us/the-riaa-wants-you-to-stop-buying-cds/comment-page-1/#comment-45519</link>
		<dc:creator>Ima Nonymous</dc:creator>
		<pubDate>Mon, 31 Dec 2007 21:20:19 +0000</pubDate>
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		<description>I love the RIAA. When they first started suing people, I vowed I&#039;d stop buying until they stopped suing. I&#039;ll have to admit, I didn&#039;t love them then, because I expected to be suffering for want of new music. But now I love the RIAA, because I&#039;ve found such an incredible amount of new music by artists I had never heard of and probably never would have, if I hadn&#039;t stopped buying RIAA c***. 

I also notice that I&#039;m paying a lot more attention (and $$) to local artists than I would have otherwise.

Thanks RIAA!</description>
		<content:encoded><![CDATA[<p>I love the RIAA. When they first started suing people, I vowed I&#8217;d stop buying until they stopped suing. I&#8217;ll have to admit, I didn&#8217;t love them then, because I expected to be suffering for want of new music. But now I love the RIAA, because I&#8217;ve found such an incredible amount of new music by artists I had never heard of and probably never would have, if I hadn&#8217;t stopped buying RIAA c***. </p>
<p>I also notice that I&#8217;m paying a lot more attention (and $$) to local artists than I would have otherwise.</p>
<p>Thanks RIAA!</p>
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		<title>By: Victor Karamalis</title>
		<link>http://bub.blicio.us/the-riaa-wants-you-to-stop-buying-cds/comment-page-1/#comment-45332</link>
		<dc:creator>Victor Karamalis</dc:creator>
		<pubDate>Sun, 30 Dec 2007 21:45:05 +0000</pubDate>
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		<description>If the RIAA developed technology for getting demographic data for all those downloads, then they may be able to part with their CD business model.</description>
		<content:encoded><![CDATA[<p>If the RIAA developed technology for getting demographic data for all those downloads, then they may be able to part with their CD business model.</p>
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		<title>By: Heidi Cool</title>
		<link>http://bub.blicio.us/the-riaa-wants-you-to-stop-buying-cds/comment-page-1/#comment-45313</link>
		<dc:creator>Heidi Cool</dc:creator>
		<pubDate>Sun, 30 Dec 2007 19:06:06 +0000</pubDate>
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		<description>You make a very cogent point here. I still buy CD&#039;s and I purchase music through iTunes. I also download the legally available free samples from LastFM. I prefer having the original CD&#039;s, as you say as back-ups. But If I felt the RIAA would start coming after me for using my computer or iPod I could see where one would be tempted to only buy online through sources that give me permission to have multiple copies on my computers and iPod. 

What I don&#039;t understand is why anyone concerned with making money would take a stance that threatens its customer base. That&#039;s not typically a good marketing strategy. Typically manufacturers and service providers strive to find what their customers want and create a product that serves their needs. 

Clearly customers want portability, not of a physical object in this case, but of the content. Why not work with that need to develop products or sales strategies that meet the need rather than conflict with the need. Consumers are far more likely to buy from concerns they respect than from companies (or consortiums) they equate with the evil empire. 

I wonder how long it will take for them to work with consumers and find a satisfactory solution. This is not, after all, a new problem. We&#039;ve had the ability to record, through reel-to-reel, then cassette, then digital for many many decades. People haved copied their music both to preserve the original source and to share with their friends via mix-tapes and the like. 

Now that we&#039;re in an age where commercial radio is no longer a viable way to learn about new music, sharing, through mixed CD&#039;s and other means becomes a key component of music marketing. The ability to download a song or two to sample before buying is one of the few ways we can hear things that aren&#039;t getting radio play. 

Viral marketing has been a buzzword for so long that it&#039;s now old hat. Yet the industry fights it, when to embrace it would probably be far more lucrative for everyone.</description>
		<content:encoded><![CDATA[<p>You make a very cogent point here. I still buy CD&#8217;s and I purchase music through iTunes. I also download the legally available free samples from LastFM. I prefer having the original CD&#8217;s, as you say as back-ups. But If I felt the RIAA would start coming after me for using my computer or iPod I could see where one would be tempted to only buy online through sources that give me permission to have multiple copies on my computers and iPod. </p>
<p>What I don&#8217;t understand is why anyone concerned with making money would take a stance that threatens its customer base. That&#8217;s not typically a good marketing strategy. Typically manufacturers and service providers strive to find what their customers want and create a product that serves their needs. </p>
<p>Clearly customers want portability, not of a physical object in this case, but of the content. Why not work with that need to develop products or sales strategies that meet the need rather than conflict with the need. Consumers are far more likely to buy from concerns they respect than from companies (or consortiums) they equate with the evil empire. </p>
<p>I wonder how long it will take for them to work with consumers and find a satisfactory solution. This is not, after all, a new problem. We&#8217;ve had the ability to record, through reel-to-reel, then cassette, then digital for many many decades. People haved copied their music both to preserve the original source and to share with their friends via mix-tapes and the like. </p>
<p>Now that we&#8217;re in an age where commercial radio is no longer a viable way to learn about new music, sharing, through mixed CD&#8217;s and other means becomes a key component of music marketing. The ability to download a song or two to sample before buying is one of the few ways we can hear things that aren&#8217;t getting radio play. </p>
<p>Viral marketing has been a buzzword for so long that it&#8217;s now old hat. Yet the industry fights it, when to embrace it would probably be far more lucrative for everyone.</p>
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